永无落幕之日的伍迪•艾伦

"Manhattan" and "Annie Hall" at the end of the 1970s established the signature style, pleasing both critics and filmgoers, of stories of wisecracking New Yorkers, usually including a wheedling weakling played by Allen, who surprised us by getting the girl. "Annie Hall" won him Oscars as director and screenwriter, and then nomination as an actor.

After that, they continued to be high, such as "Hannah and Her Sisters", "Bullets Over Broadway" and "Radio Days". But Allen's bankability and popularity began to dip. First, because of bleak experimental movies, including "Interiors" and "Celebrity". And then personal scandal when he became the lover and then husband of Soon-Yi, the adopted daughter of his partner Mia Farrow. Unfunded and unloved in America, he found money in Europe for films set in London, including "Scoop" and "Cassandra's Dream", his Spanish comedy "Vicky Cristina Barcelona" and then France. Released in 2012, "Midnight in Paris", a time-travel comedy starring Owen Wilson, in what would once have been the Allen role, became his biggest American box office success ever, and his first Oscar directing nomination for 17 years.

Now after an Italian stopover for "To Rome with Love", Allen has returned home, for his most substantial American set movie in many years. "Blue Jasmine" is a story of two sisters, Jasmine, wealthy on the east coast, Ginger, poor on the west, who end up sharing an apartment in San Francisco when Jasmine's husband is bankrupted.

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